I’m pretty sure True Blood has jumped the shark & might never recover. Sad. [SPOILER ALERT]

It began last year, when the show started to descend into a completely over-the-top, cliched Pagan worship subplot that took over and led us to a completely cheesy, melodramatic finale. However, I have seen Alan Ball dip in the middle of his series before (there were some rough spots during Six Feet Under, but it came back around and it’s definitely on my “show my kids someday” list), so I came into this season with high hopes.

I hoped that the team took the time during the hiatus to return to the strong characters and fine balance between contemporary society and the supernatural that made the show great in the first place. Sure, it’s always been a bit of a prime time soap opera, but I was willing to endure that for the talented ensemble cast and the intellectual merit of using vampires and other supernatural beings as a metaphor for minorities and other sub-communities of society.

Unfortunately, this season seems to be taking it yet further into the cliches of werewolf, vampire and other works in the monster and horror genre. It has been more violent, arguably to excess, and the plot-lines are becoming more and more contrived and shallow. It’s bad enough that Sookie seemingly has sexual tension with every man/creature she meets (she’s not THAT hot, really), but the heartbroken, puppy-dog eyed, hunky werewolf was beyond nauseating. In addition, the show now has such a multitude of parallel plot-lines that it seems completely unfocused; more like they’re hedging their bets that the audience will get on board with most of them, rather than that they’re creating a complex web of subplots that will ultimately unify in a carefully constructed climax.

The real kicker, and the inspiration for this post, though, was the final scene of the episode, where we see the most overused of all sexual tension cliches – vicious hatred leading to fierce, violent sex. Again, I probably would have forgiven Bill and Lorena’s hate sex (essentially a rape fantasy played out on screen), especially because of the reversed gender roles here – even though Bill is seemingly physically dominating, we know that Lorena is controlling his mind, so she’s actually raping him. However, the way that this actually played out on screen was, well, ridiculous. What should have been an intense, emotional moment between two favorite rivals in the series, became a caricature; a hackneyed reduction of this world into a stunt for shock value. Specifically, as Bill pounds Lorena, he twists her head around 180 degrees, she says she still loves him and he screams. What is this, Twilight? A National Lampoon movie? I’m not sure whether I should have laughed or vomited.

If Ball wanted to generate buzz with this scene, he accomplished that, as the blogosphere is atwitter, but most of what I’ve seen has been negative. As someone who has been a big fan of his, as well as vampire flicks and the first season and a half of this series, I hope they bring it around and pleasantly surprise me. But, if I wanted to see this type of unoriginal, asinine entertainment, I’d watch Scary Movie.

About Tarah

Ever since I founded my college TV station, I’ve aspired to tell relevant, engaging stories. Seeing digital platforms as a powerful tool with which to facilitate interactive conversations, rather than passive entertainment, I have worked throughout my career to merge my entertainment sensibilities with the combined needs of advertisers and audiences to create inspiring content experiences. As Digital Innovations Specialist & Chair of the Social Media Council at Real Branding (recently merged with Schawk/Anthem! & Brand New World), I drive creative direction and strategy, working directly with brands to develop engaging consumer experiences across the entertainment, advertising and digital media industries. As a strategic partner of NBTV Studios, I work with the management team to help them find new clients, develop and produce industry-leading film, video and entertainment products. Before joining Real Branding, I held the position of VP, Creative & Digital Strategy on the executive team at Big Fuel Communications, where I crafted innovative distribution strategies and producing award-winning branded entertainment, interactive and other campaigns for partners such as Neutrogena, AOL and Fox Interactive Media. From 2005-07, I was a founding member of the NBC Universal Digital Studio, as Manager of Program Development, where I created, developed and oversaw the production of series and entertainment products for digital and traditional platforms. Prior to NBCU, I worked in Marketing and Original Programming at HBO, as well as running my own independent production company, producing and directing a number of short films, documentaries, music videos and other entertainment products. As a member of the Producer's Guild of America, NATAS, NAMAS, IFP and other associations, I maintain regular involvement with industry organizations and have enjoyed speaking on panels for the Producer’s Guild, IFP, NYU, NALIP and others. Additionally, for several years, I served as the Executive Producer of the website and managed the marketing efforts for Stellar Network, a trans-Atlantic organization for professionals in film, television and theater. I grew up in the green mountains of Vermont and graduated from Brandeis University, while pursuing a Bachelor of Arts degree in Philosophy and Film Studies. When I’m not working, I’m sharing my life with my wife Anjali, a brilliant foodie, and our dog, Taj, in Brooklyn. For my full professional details and to connect professionally, please join me on LinkedIn: http://linkd.in/tarahf
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